“American Dirt” controversy points to industry-wide issues of appropriation and homogeneity
I had been interning at a literary agency in Back Bay for less than a week when I first became…
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Campus Corner
There’s always something happening on campus related to the arts, be it student led or faculty sponsored. Check out a…
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“Parasite” makes Oscar history
I didn’t think I was going to regret boycotting the Oscars because the nominations were once again not diverse enough…
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‘The Good Place’ says goodbye, take it sleazy
[Warning: This article features spoilers for the series finale of “The Good Place”] “The way to restore meaning to the…
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“Birds of Prey” is eccentrically empowering
In recent years, it has been rare that a Margot Robbie film has let many fans or critics down. And…
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Vera Pavlova illustrates the Russian childhood through verse and Tchaikovsky
The Wellesley College Russian department hosted acclaimed Russian poet, Vera Pavlova, for “A Night of Music and Poetry.” Throughout the…
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“Charlie’s Angels” confirm it didn’t hurt when they fell from heaven
The 2019 revival of “Charlie’s Angels,” based on the 1976 television series and the 1999 movie, opened with a disappointing…
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“Doctor Sleep” succeeds on its own but fails as a sequel
Mike Flanagan’s (no relation to the writer) “Doctor Sleep” confirms what we already knew: it is impossible to create a…
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Much Ado About Shakes House: Biannual production is a rousing success
Paige Calvert’s ’20 directorial debut of “Much Ado About Nothing” through Wellesley College Shakespeare Society, which served as her senior…
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“The King”: A mediocre retelling of a Shakespearean classic
A Shakespeare adaptation has once again hit our screens, and this time the one and only Timothée Chalamet is leading…
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