“Wonder Woman 1984:” the Antithesis of Liberation
Disclaimer: contains spoilers Wonder Woman 1984 is not a women’s empowerment movie; in fact, it has exactly the opposite effect….
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Why You Shouldn’t Read the “Bridgerton” Books, and What To Read Instead
As I’m sure many did, I binged the entirety of Bridgerton in just a couple of days. In case you’ve…
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“Framing Britney Spears” heightens awareness on Britney Spears’ situation and the Free Britney movement
“I know at one point she will tell her story.” This statement by Britney’s assistant Felicia Culotta closes out the…
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“Judas and the Black Messiah” subverts, soars as Civil Rights story
With the first shot of Judas and the Black Messiah, director Shaka King establishes that human stories will be at…
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Black Entertainment Without Black Trauma: Recommendations for BHM!
Disclaimer: includes spoilers In honor of Black History Month, here is a list of TV show episodes, TV shows and…
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Queer Storylines in “The Prom” Fall Flat
While most of this review is going to be a fairly harsh critique of The Prom, I do want to…
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Harry Styles de-typifies masculinity in Vogue’s December Issue, but is this enough? (spoiler: it’s not)
I often struggle to verbalize why I gladly devote hours to sifting through articles on Repeller, Vogue, In the Frow…
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Music Performance Courses Adapt to an Altered Semester
Fall 2020, objectively, has created unique scenarios that have challenged and surprised everyone across the Wellesley community. Despite the challenges,…
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Ben Wheatley’s adaptation of “Rebecca” fails to deliver compared to its classic counterpart
Immediately after the end-credits of Rebecca, director Ben Wheatley’s feeble remake of Alfred Hitchcock’s 1940 film of the same name,…
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“Dash & Lily” Find Love, Stranded
Of the two titular characters, Dash (Austin Abrams) would probably snicker if he came across a show of this premise,…
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