Ben Wheatley’s adaptation of “Rebecca” fails to deliver compared to its classic counterpart
Immediately after the end-credits of Rebecca, director Ben Wheatley’s feeble remake of Alfred Hitchcock’s 1940 film of the same name,…
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“Dash & Lily” Find Love, Stranded
Of the two titular characters, Dash (Austin Abrams) would probably snicker if he came across a show of this premise,…
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“The Queen’s Gambit” is really as good as people say it is
To be clear, I do not like chess. No, not even a little bit. So, when I passively clicked on…
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“Yes, God, Yes” breathes new life into Netflix’s coming-of-age lineup
I watched “Yes, God, Yes” soon after its Oct. 22 Netflix release, curious to see Natalia Dyer star following her…
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Six 2020 Book Releases You Should Read Right Now
The COVID-19 pandemic has managed to affect literally everything – books included. Most new books rely on book tours and…
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“The Trial of the Chicago 7” brings protesting to film
“The whole world is watching!” the crowd chants outside as the defendants enter the courthouse. The highly-publicized trial of leading…
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“Holidate,” Perfectly Predictable
John Whitesell’s Holidate (2020) is perfect for anyone seeking movies that remind them of Hallmark, especially if you are searching…
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The Visible Cop in “The Invisible Man”
Warning: contains spoilers The Invisible Man starring Elizabeth Moss has been on my watchlist ever since I saw a trailer…
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“The Haunting of Bly Manor” is a love story
Warning: contains spoilers Mike Flanagan’s (no relation) “The Haunting of Bly Manor” has received much of the same response as…
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“We might be the fire nation:” On the political significance of the Netflix re-release of Avatar
When you are trapped inside as the world continues to collapse around you, what is there to do but rewatch “Avatar: the Last Airbender”?
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